Rajiv Malhotra Height, Age, Biography

Biography Profile

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Age: 74 Years

Height: 5′ 6″

Hometown: Delhi

Rajiv Malhotra

Rajiv Malhotra

Some Lesser Known Facts About Rajiv Malhotra

  • Rajiv is a Hindu nationalist ideologue.
  • Rajiv Malhotra had studied to be a Physicist. He went on to become a Computer Scientist specializing in Artificial Intelligence.
  • Rajiv worked in the corporate sector in the United States before becoming an entrepreneur and running multiple IT companies in over 20 countries.
  • Rajiv took an early retirement at the age of 44 and exited all for-profit activities in the early 1990s.
  • In 1995, Rajive founded a non-profit organization, Infinity Foundation in Princeton, New Jersey. He went on to also founded the Educational Council of Indic Traditions (ECIT) in the year 2000.
  • Rajiv is a chairman of the board of governors of the Center for Indic Studies at the University of Massachusetts, Dartmouth. Additionally, he served as a board member of the Foundation for Indic Philosophy and Culture at the Claremont Colleges.
  • In October 2018, Rajiv was appointed as an honorary visiting professor at the Centre for Media Studies at Jawaharlal Nehru University in Delhi.
  • More than 400 research works have been conducted by Infinity Foundation under Rajiv Malhotra.
  • Rajiv, a prominent critic of Western academia on Hinduism, has authored several blogs and articles scrutinizing the work of scholars like Wendy Doniger.
  • Several of Rajiv’s essays on Academic Hinduphobia from the 2000s were republished by Voice of India in 2016 under the title “Academic Hinduphobia: A Critique of Wendy Doniger’s Erotic School of Indology.”
  • As of 2024, Rajiv has published 16 books. His most popular books are “Breaking India: Western Interventions In Dravidian And Dalit Faultlines,” “Snakes in the Ganga: Breaking India 2.0,” and “Indra’s Net: Defending Hinduism’s Philosophical Unity.”
  • Rajiv has been criticized for his work by many scholars, who say he disregards the usual canons of argument and scholarship, viewing it as a postmodern power play disguised as a defence of tradition.

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